Broadcast quality without the full outside broadcast
REMI (remote integration) production keeps the parts that have to happen at the venue on site — cameras, key crew and capture — and moves switching, audio, replay and graphics back to our studio.
Camera feeds travel to the studio over SRT using Kiloview and LiveU encoders. Our team cuts the programme there and sends the finished stream online. It’s the same multi-camera production, with fewer people travelling and less gear at the venue.
What’s included
On-site capture
Cameras, comms and a compact crew at the venue, focused on getting the shots.
SRT contribution
Kiloview and LiveU encoders send every camera back to the studio securely and with low latency.
Studio control room
Switching, audio, replay and graphics run from familiar, well-monitored systems in our studio.
Stream monitoring & delivery
The finished programme leaves the studio to your platform, broadcaster or pay-per-view.
Repeatable season workflows
Once a venue is planned and tested, the same system is reused and improved every event.
Hybrid on-site / remote
Bigger jobs can mix an on-site director with remote replay or graphics operators.
Why REMI makes sense
A traditional outside broadcast sends the whole production team and a temporary control room to every event. For regular sport and motorsport, that gets expensive fast. REMI lets us keep the production quality up while cutting the travel, accommodation, set-up time and on-site gear.
We’re still producing a multi-camera live stream with live switching, replay, graphics, audio and proper stream monitoring. We’re just doing the right jobs in the right place.
Built around real-world NZ conditions
Not every track has perfect internet, and not every venue has a good production space. Some are dusty, noisy, remote or hard to cable. We design each REMI system around the venue, using SRT because it’s built to carry secure, low-latency video over unpredictable networks — exactly what remote contribution needs.
Speedway and motorsport
We’ve rolled REMI workflows out for the NZJSA and selected speedway tracks around New Zealand, and it powers much of the coverage on tbcmotorsport.watch. Read more in our article on rolling out REMI production for NZ speedway.
Is REMI right for your event?
REMI suits regular and repeat events — club sport, speedway, motorsport series and multi-venue competitions — where a consistent set-up can be refined across a season. Some events still need a full crew and control room on site; we’ll tell you honestly which approach fits.
Ideal for
- Speedway and motorsport seasons
- Club and grassroots sport
- Recurring events and series
- Multi-venue competitions
- Budget-conscious broadcasts
Recent REMI & Remote Production work
All case studiesREMI & Remote Production FAQs
What does REMI stand for?
REMI means remote integration model. Cameras are at the venue, but the production — switching, audio, replay and graphics — happens in a central studio.
Does remote production reduce quality?
No. Viewers get the same multi-camera programme with replay and graphics. Operators often work better in a controlled studio than in a temporary control position at the venue.
What internet does the venue need?
We size the uplink to the number of cameras. Where venue internet is limited we add bonded cellular or Starlink, and we test the network path before the first event.
How much can REMI save?
On our speedway productions we run with around half the on-site crew of a traditional set-up, with less travel, accommodation and gear. Savings depend on the venue and how often you stream.
Let’s take your event live
Tell us what you’re planning. We’ll come back with a clear plan and a quote.
